March 6, 2025
Ex-Convento de Santa Mónica (The Secret Convent of Santa Mónica)

Our father, who art in heaven...In this episode of Susto, Ayden delves into the haunted corridors and history of the Ex Convent of Santa Mónica in Puebla, Mexico. A building with a long, sordid history that has left scars and legends deep in the city....
Our father, who art in heaven...In this episode of Susto, Ayden delves into the haunted corridors and history of the Ex Convent of Santa Mónica in Puebla, Mexico. A building with a long, sordid history that has left scars and legends deep in the city.
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Hey, girlfriends, it's me Adrian or Aiden. Either way, I
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am still your host and you are still listening to
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or watching Soustal, the podcast of paranormal folklore from Latin
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American and Hispanic cultures. Yes, you heard me right. This
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is another video episode. If you are signed up on Patreon,
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then you get episodes early and ad free, and if
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you are a best cool friend, then you also have
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access to this video episode. It's just me here and
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my little dungeon. There's my little ghosty over here. Got
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the lights going on and you can see my horns
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in their full glory. So thank you for being here
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once again. And if this is your first time to
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the show, thank you for pulling up grab a Rosarie.
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It's not going to help you here, but it might
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make you feel better. I'm kidding, girlfriends, I am recording
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this pretty late at night, so I'm trying to I'm trying.
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I'm being very honest here with you, and I'm trying
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to keep the energy up. But it is about to
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be ten, which is my bedtime. But things have been hectic.
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I put the heck in hectic, so this was my
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this was my chance tonight to record this episode. And
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stay on schedule so that I'm not scrambling literally at
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the last minute to post this up. Thank you for
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your patience and for showing me grace and kindness as
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I push through and muster up all the energy, any
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energy that I have left me for today. And also
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not only that, but to you all know I've said
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this many times. I do not record or edit at night.
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But here we are. I'm trying not to like imagine
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things in my proof, so you and me we're locked
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in together. If you see anything, do not tell me again.
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This is my ghost friend right here. That is the
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only ghost allowed in this room, in this apartment, to
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be honest. So anyway, not too many updates. I do
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have a favor to ask you. I put a call
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out on social media and on Patreon. I want to
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do an episode and probably a video to go with it,
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basically a sustal Q and a to get to know
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me a little better. I know that I pour my
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heart out on this show constantly, but if you would
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like to get to know me a little bit more,
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and to officially introduce you all to my ghost writer, Jeff.
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You'll have heard me mention Jeff many times, but I
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do want to give you the opportunity to get to
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know him better because now he is officially part of SUSTAL.
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He is helping me research and write these stories. And yeah,
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if you all have any questions about him, us as
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a unit, like a working unit here on SUSTAL, us
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as a couple, we've been together for ten years this year. Now,
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questions for me individually, just any questions that you have
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about Sustal, about us, please feel free to send them in.
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I don't think you all would get too wild, but honestly,
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you've heard the things that I've said on this show,
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the things that I've shared. So what isn't left field
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or what really truly would be pushing that boundary? Why
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don't you test it? You send me an email a
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DM if you find the post on social media commented,
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I'll be posting it on stories again. We're going to
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be accepting a few more questions. We have some great
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ones already, but I want to give everybody the opportunity.
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So I was thinking, let me say this on the
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show itself so that everybody can hear it. So again,
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we'll be doing a SUSTO Q and A which I'm
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thinking about making it an episode, of course, available to everybody,
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and then the video version kind of like maybe vlog
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style interview. I don't know. It'll be something with Jeff
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and I so that you all again can get to
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know me a little bit better, maybe if you'd like to,
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and to introduce you officially to Jeff. I keep motioning
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over here. This is Jeff right here. Those little ghost
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pill up that's him, but not really, just pretend that
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he's here. So yeah, just wanted to put that out
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there because I'm very excited about the idea of doing that.
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It is going to happen, but I'm very excited about
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making it happen. Speaking of making things happen, let's make
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this episode happen. Before we do, I do want to
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give a kind of warning. Listener discretion advised. Please always
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take care of yourselves if you feel like you need
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to dip. This episode is not for you. I obviously
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completely understand, but I do want to give a heads
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up so it doesn't catch you off guard that in
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this episode there are mentions of rape, abuse and violence
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against women. So again, listener discretion advised. And with that
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being said, let's go ahead and jump into today's episode,
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which is the story of the ex Convento the Santa Monica.
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In the heart of Pueblo, Mexico. Down an old cobblestone street,
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stands an unassuming building with high stone walls and heavy
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wooden doors. By day it is a museum filled with
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sacred paintings, gilded crosses, and artifacts of faith. But by night,
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something else lingers, something that never left. For centuries. Those
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walls held secrets. The cries of the tormented echo through
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the cold corridors. Shadows move where no one should be,
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and if you listen just closely enough, you might hear
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the whispered prayer of a long dead nun, still begging
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for salvation. This is the story of the ex Gunvento
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the Santa Monica. Long before it became a convent, the
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building was something far darker. In sixteen, a wealthy and
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devout woman named Dona Ursula de Vega established it as
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a house of confinement for women deemed unfit for society. Here,
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noble families sent their disobedient daughters, unwonted wives, and wayward
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young women to be reformed. Some had committed crimes, others
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had simply spoken too freely loved the wrong person, or
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disobeyed their fathers or patriarchs of the home. Once inside,
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they were locked away, forced into silence and prayer, their
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bodies and souls broken, until they were deemed pure enough
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to return to the world. If they were ever allowed
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to leave at all. Murmurs of the reformatory's goings on
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spread among the locals, Tales of women who entered and
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were never seen again, of cries in the night of
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graves ug beneath the floors. Around sixteen eighty the house
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was repurposed into a convent by doctor Manuel Fernandez de
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Santa Cruz, and the past was buried away, but the
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walls never forget. Now an Augustinian recollect convent, Santa Monica
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became a place of prayer and devotion. The nuns lived
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in strict seclusion, sworn to a lifetime of silence and sacrifice.
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To the outside world. It was a sanctuary, but inside
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something was rotting. Young women, many against their will, were
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forced into holy vows by their families. Some had known
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love before, only to have it ripped away and replaced
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with cold stone walls. Some dared to no pleasure, a
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carnal sin, and paid the price. The convent's leaders, us
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with preserving purity, took their roles to terrifying extremes. Nuns
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who spoke out were punished, locked away in dark isolation cells,
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where some went mad. Those who showed weakness in their
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faith were given painful penances, from wearing spiked chains beneath
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their habits to whipping themselves bloody in the name of redemption.
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Some still driven to despair, dyed by suicide, hanging from
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the rafters of their tiny chambers, or flinging themselves from
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the convent's highest tower. And yet these were not the
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worst of the convin's sins. In eighteen fifty seven, the
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Mexican government enacted the Liberal Reform laws, ordering the closure
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of all religious institutions. The nuns should have left, but
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they didn't. Instead, they sealed themselves inside, vanishing from the world,
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surviving in silence, believing that as long as they prayed,
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as long as they remained faithful, God would protect them.
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At first, the people of Puebla helped them, smuggling in food, medicine,
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and other supplies, but as the years stretched into decades,
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the outside world began to forget them. The convent became
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an echo a faint memory. The Augustinian nuns were a
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contemplative order and did not sing, and in that silence,
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monsters flourished and the women suffered. One of the nuns
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was only sixteen when she arrived before the convent went
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into isolation, sent by her father to atone for a
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sin she never committed. The young nun dreamed of the
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world outside of color and warmth and laughter, but inside
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Santa Monica, the only warmth came from the candle flames
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at the altar. One night, the head mistress sent for her.
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A visitor had arrived, a priest who would visit the
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convent in secret. Dressed in fine black robes, his face
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hidden by the flickering light. She was led into a
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candlelit chamber and told to confess. The priest listened, and
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instead of offering absolution, his hand caressed her wrist. She
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could not protest. She was conditioned to submit to church leaders,
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no matter their request. In her silence, the priest went
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beyond simply touching her wrist. For years he came to
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the convent under the cover of darkness. The young nun
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was not the only one who suffered his advances, which
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betrayed his vows and destroyed the minds and bodies of
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the women in the convent. When the young nun's belly
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began to swell, the other nuns turned the other cheek,
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whispering prayers instead of offering solace. There was no pity
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in their eyes, only fear. A child born within those
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walls could not be allowed. One night, she was led
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away by an elder sister. Not all of the women
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who suffered in the convent were victims. Some were monsters
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in their own right. The elder sister was one of
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those monsters, a woman who believed that suffering was the
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path to salvation. When the convent fell into darkness, she
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did not despair. She thrived. She punished the weak, She
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silenced the disobedient, And when the young nun came to
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her with a belly too large to hide in her tunic,
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the elder sister led her to the well behind them convent.
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No one claims to know what happened, but they all
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heard the hollow splash, and the young nun never returned.
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By May nineteen thirty four, the government raided the convent,
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expecting to find an abandoned ruin. Instead, they found nuns
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who had never set foot outside. Women so pale they
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looked like ghosts, their fingers curled and gnarled from decades
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of clutching rosaries. And beneath the floors they found bones.
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The first were small, infant bones, twisted and frail. Some
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were buried beneath the chapel, others hidden in the thick
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stone walls. Their skulls were cracked, as if they had
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not simply been laid to rest, but discarded. Then they
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found the women. Some had been walled up alive, skeletons
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frozen in the fetal position, their bones pressing against the
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inside of the bricks, as if they had clawed at
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the stone until their final breath escaped their lungs. Others
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bore signs of violence, fractured skulls, shattered ribs, broken jaws.
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Some had chains still wrapped around their wrists and ankles,
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their bones locked in eternal pennance. The most disturbing were
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the remains of pregnant women. Their bodies showed clear evidence
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of abuse. Some still had iron spikes pressed into their bones,
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a cruel form of atonement meant to purify their sins.
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In a single chamber, they found dozens the walls were
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painted a rust color, not with frescoes, but with old,
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dried blood. Somewhere beneath the convent, hidden behind a stone
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wall their there is a room that no one speaks of.
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It was not meant for prayer or penance, rather for
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something sinister, between the nuns who refused to obey and
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the infants who were never meant to live. No one
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knows how many bodies lie beneath the convent. No records
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exist of how many were found. The officials who oversaw
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the investigation kept silent. Today, the Exgunvento de Santa Monica
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is a religious art museum, filled with relics of faith,
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golden altars, and portraits of nuns whose faces remain eerily lifelike,
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but something else remains. Visitors report disembodied voices in the corridors,
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murmuring prayers in an empty chapel. Some say they have
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felt cold hands brushed against their shoulders, or heard the
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quiet sobs of the many women trapped between worlds. Among
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these spirits is a figure and a blome, blood stained habit,
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sometimes seen near the well, rocking back and forth, muttering
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prayers that no one can understand. Some see a young
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nun that still walks the halls, her ghostly form clutching
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her stomach, singing lullabies to the child she was never
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allowed to hold. The most terrifying legend speaks of a
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crying nun, a spectral figure seen standing at a window,
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her veil soaked in blood. Some say she was a
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young woman forced into the convent who died by suicide
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rather than bear the shame of her alleged sin. Visitors
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to the museum sometimes report hearing a soft scratching sound
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near the floorboards of the old dormitory. Some say it
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is just the wood settling, others believe it is the unborn,
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still trying to claw their way into this world. So
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if you ever find yourself and Puebla standing before the
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threshold of the ex Convento the Santa Monica, ask yourself,
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do you dare step inside? Welcome back, cool friends. Okay,
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that one. I'm glad I gave that listener discretion kind
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of warning. That one was pretty intense. And this is
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a real place. These stories, these legends, they there stories
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and legends. So many of the things in this story
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they're tall tales, they're rumors, so they're like they're posted
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out there on the internet. Obviously we're not just gonna
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I mean, yes, sometimes we write stories, right, we make
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up stories. But this is one of those places that
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exists and it has this really like lurid kind of
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mysterious history, and people, you know, when Ith and I'm like,
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you know, added their bits and pieces to it. I
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don't know. It's one of those where there's a lot
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of legend around it, and it's basically what I'm trying
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to say is it's it's unfounded. Many, if not all,
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of these things have not been proven to be true.
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So it's one of those things that just kind of
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took a life of its own. Some of these things
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