May 29, 2025

La Casa de los Tubos (The House of Tubes)

La Casa de los Tubos (The House of Tubes)
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This house is not a home...In this episode of Susto, Ayden shared the woeful history of La Casa de los Tubos (The House of Tubes), a unique architectural project in Monterrey, Mexico, that turned tragic.

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A ghoolfriends, it's me Adrian or Aiden. Either way, I

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am still your host and you are still listening to Sustal,

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the podcast of paranormal folklore from Latin American and Hispanic cultures,

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and thank you for doing so. By the way, if

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you are a best girlfriend on Patreon, you already know

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you get the video version of this episode, and all

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patrons get episodes early and ad free, so I mean, hey,

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right off the bath, feel free to check it out

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because also speaking of, we do have a movie night

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this weekend or a Susto virtual hangout. Still figuring out

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what exactly we'll be doing. You know, sometimes we just

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hang out and talk, we play games, so watch a movie,

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a show something, so you know, all the details go

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down on the Patreon, So if you're interested, feel free

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to check that out. There not too many updates. I

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will say I had a fun, fun time at the

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Psychic and Spiritfest in San Antonio with the Curious Twins

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at Victoria's Blackswan In if you made it out there.

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First of all, to all of the presenters and the vendors,

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especially the people that sat out there for the whole event,

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bless your hearts and your souls for being out there,

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for sticking out the heat. I did not table this year,

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after all, I did go do my presentation, which hello

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obviously smash hit. I had a great time with it.

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It seemed to get a positive response from people, so

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I will be posting the video of my presentation, of course,

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also for patrons. But it was such a good time.

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It was worth it to be out there, to see

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all the really cool vendors, to listen to the other

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presenters speak and share. I got my aura photo taken

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and a psychic presented or read it to me, and

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honestly she read me down to It was really interesting

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for someone to see directly into my soul that way.

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And Annabel the Doll was also there. I did not

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get a chance to see her. The lines were very long,

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and I didn't want to pull that card. I don't

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even know if I could have. I'm saying this, but

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I didn't want to be like, well, i'm a presenter,

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let me just get ahead of the line. That probably

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is not what would have happened either way, which is

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why I said, you know what, I may regret it,

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but I'm going to sit it out because again, lines

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are so long, and it was very hot, and by

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that point we had already been there for like half

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of the day, so I was ready to kind of

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get back home, shower and relax. But speaking of spending

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the day in San Antonio, I did post a vlog

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of me and Jeff's day over in San Antonio, so

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if you like to check it out, we did a

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couple spooky things, because what a beautiful segue me, good

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job me, pat on the back. Susto is now available

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on YouTube and YouTube Music, which means the podcast itself

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is going to be published on YouTube as well. I

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don't ask me why it took me so long, but

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it did and it's finally there. So if you prefer

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to listen on YouTube, by all means please it is

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now available there. It's still available, of course on all

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the other podcast platforms, but it's just another one it's

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going to be on now and I will also be

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making video content public video content that will be on

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the YouTube. Of course, all the videos will be on

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Patreon AD free, but they will be on YouTube for

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the public as well, so make sure you go check

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that out and subscribe to YouTube dot com slash at

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Sustal podcast. It's got my cover art and there with

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the hands and the crystal ball, so you can't miss it.

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Please subscribe. Hope you all enjoy it. It's going to

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be stuff that is Suster related, paranormal related, it may

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just be random fun things. I think the most recent

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one I posted was I was looking for boots for

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a show that I went to. So again, you can

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see all about those things by visiting YouTube dot com

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slash at Sustal podcast. It's the same social media handle

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across all platforms, So please subscribe. Like the videos and

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I hope that you really do enjoy them. One final

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update I have for you, I will be doing an

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event with the Austin Public Library. I'm very excited. They

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invited me to do a summer camp fire storytelling kind

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of session. I've done this thing with them before and

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it's very fun. It's very exciting, and it's free and

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you can rs VP by visiting the sustolink tree, which

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is linktr dot ee slash sustal and it's right at

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the top Sustal at Austin Public Library. It's free to

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go save your spot and this will be at the

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Ruise branch of Austin Public Library. So you can go

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visit that link and then save your spot and I

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will see you there. It'll be very fun. Okay, that's

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it for the updates. One final thing before we get

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into today's story, Girlfriends, I do want to let you

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know that there is mention of suicide in this story,

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so as always, listener discretion is advised. Please care for

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yourselves and do what you need to do without further ado,

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we will get into today's story, which is the story

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of La. In the nineteen seventies, at the edge of

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Monterey Nouavouleon, something began to rise from the earth, something strange,

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something not quite right. If you drive through the hills today,

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you may think the house is another luxury home, But

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it once stood abandoned, a cluster of hollow concrete tubes,

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like giant gray bones, standing crooked and unfinished against the skyline.

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But back then the locals called it La Casa de

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los UBOs, or the House of Tubes, And what was

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supposed to be a dream became a nightmare no one

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could wake from. They were a quiet pair, a man

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and his daughter. No one knew where they'd come from,

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no mother, no family, just the two of them starting

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over the father. Alejandro was a serious man, stern with

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deep eyes that looked like they'd seen too much. But

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with his daughter, Lucilla, something softened in him. She was

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around nine or ten, sweet, thoughtful, and quiet. Lucia had

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no mobility in her legs. She relied on a wheelchair

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and more than that, on her father. They were each

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other's world. One afternoon, standing on a quiet stretch of

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land just outside the city, Alejandro met with a young

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architect named Victor Aldama. In their meeting, Alejandro explained that

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he wanted his daughter to navigate their home with complete freedom.

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Victor assured him that it could be done. He had

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a plan, unusual, but it could be perfect. He explained,

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What if we built a house made entirely of connected tubes,

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wide open, every floor connected with ramps instead of stairs.

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The rooms would curve into one another, smooth lines, gentle slopes.

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She could move through it without help freely. There would

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be no corners to get stuck in or stairs to

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hold her back. And we'd put in large windows so

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she could see the skies of Nouvo Leon whenever she wanted.

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Alejandro responded with joy as Victor sketched out the house. Yes,

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Alejandro replied, that's what we need. Start as soon as possible.

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I want her to see it. For the construction crew,

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it was just another job site, a contract signed, equipment delivered,

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dust kicked up in the outskirts of Monterey. At first,

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the crew was intrigued. The layout was unique, ambitious, so

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it promised steady work and higher wages. But as the

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concrete frames began to rise, that excitement faded and the

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workers started to complain. Everything's round, nothing lines upright. This

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isn't how houses are built. How do you put a

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door or a window in a round wall? And then

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there were the reviews. Victor visited the site, constantly, inspecting

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every line and curve with the intensity of a man possessed.

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He corrected the workers harshly, with a precise and almost

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obsessive focus. This house was going to be his opportunity

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to build something truly unique. This ramp too steep, tear

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it down, start again. These windows aren't aligned with the

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axis of the hill. Fix it. This edge is sharp.

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She must glide through this space. Alejandro would appear too,

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not as often, but when he did he watched quietly,

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sometimes with Lucia beside him. He never scolded, He only observed,

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as if making sure that every beam, every bolt, was

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worthy of her. The workers began to feel the weight.

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Tensions rose. Fights broke out over minor mistakes, Tools went missing,

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Blame passed like a virus. The workers began to feel

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as if they were under constant watch, even when Victor

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and Alejandro were not around. A plasterer swore he set

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his toolbox down near one of the ramps, turned away

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for a second, and it vanished. The toolbox was later

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found on the third floor, in a spot he hadn't

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touched in days. An electrician heard a voice call his name,

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but when he followed it, no one was there. One man,

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half asleep on a late shift, claimed he saw something

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on the second floor, but he was alone as he

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finished his work. Others dismissed these stories. Stress, maybe exhaustion.

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The circular design messes with your head, they said, no corners,

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no lines, just curves, but not everyone laughed. To ease

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the growing friction, the workers planned a small get together

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after hours. Drinks were passed around, and laughter slowly returned.

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The house half built seemed to be listening, watching. The

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crew was even talking about abandoning the work site, all

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except one man, Alberto. Alberto was the kind of man

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you barely notice, not because he wasn't important, but because

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he didn't demand attention. Mid thirties, always on time, always quiet,

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he kept his head down, did his work, and left

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without a word. To most, he was just another pair

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of hands mixing concrete, but he was precise with his

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work and never cut corners. Some say he was building

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his own house in his spare time, that he took

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on jobs like the house of tubes to pay for materials.

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Others said he had no family, no one waiting for

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him at home. Either way, he was dependable, focused, a

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man who didn't scare easy. That made what happened next

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so much harder to understand. It was a Sunday morning.

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A skeleton crew had come in early, just three men,

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Alberto and two younger workers. The rest of the team

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was still recovering from the night before. Another of their

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alcohol fuel to gatherings meant to ease the tensions that

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continued to grow. Alberto hadn't touched a drop. He said

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little during the gathering and left early, muttering something about

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irresponsible co workers. Now, with the sun barely up, and

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the mountains still casting long shadows. He volunteered to go

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up to the third floor, an unfinished area with narrow

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catwalks and exposed reebar. He was up there for maybe

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twenty minutes when the two men below heard a strange

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sound like metal screeching, then came the screen. They dropped

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their tools ran toward the stairwell, but before they could

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even call his name, they found him sprawled in the

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center of the main hallway, eyes wide open, mouth parted slightly,

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like he was mid sentence, like he'd seen something and

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hadn't had time to speak. But what they found even

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more bizarre was that there were no broken railings, no

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loose scaffolding, and when the scene was examined they confirmed

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something chilling. There were no footprints, The dust where Alberto

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had been working was undisturbed. It was as if he

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hadn't tripped and fallen at all, but rather was thrown.

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The crew was silent after that. No one wanted to

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ask questions, no one wanted to say what they felt.

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But one of the young workers present that day later

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admitted something, something that alarmed even the hardest skeptics. He

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said he looked up to the third floor, just seconds

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after the screen, and for a moment he swore he

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saw someone standing up there, not Alberto, someone taller, shadowed,

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motionless watching. When he blinked, they were gone. From that

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moment on, the sight was never the same. The air

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felt heavier, the walls listened, tools moved by themselves, and something,

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whatever had taken Alberto, was still there waiting. The weeks

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that followed Alberto's death were heavy. The men worked quietly. Now,

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they spoke less. The laughter stopped. Some quit, unable to

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shake the feeling that something had gone terribly wrong in

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that house, that it wasn't just an accident. But others stayed,

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bills needed paying, and they convinced themselves it had just

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been bad luck. Then came Ramon's turn. He was one

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of the oldest on the site, a man who'd worked

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every kind of build from Montere to Sartillo. One afternoon,

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he was working alone in a narrow hallway on the

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second floor. Most of the crew had taken lunch, and

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only two others remained nearby, painting window frames down the corridor.

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Ramon had just started stacking buckets of plaster mix when

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he paused, sensing something a chill swept down his back.

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He turned to look behind him, no one, and then

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before he could move, a full rack of materials, wooden beams, rebar,

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bags of cement, crashed down from the scaffolding overhead. It

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was over in seconds. The others rushed to dig him out,

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their hands shaking, shouting his name, but it was too late.

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Ramon lay crushed beneath the weight of it all, his

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eyes still wide open in disbelief. The beams had been secure,

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the scaffold untouched, no one had been near it. Victor

233
00:15:07.279 --> 00:15:10.600
and the other engineers reviewed it all. Nothing made sense.

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The fall should have been impossible. But one of the workers,

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pale and trembling, swore he heard Ramond speak just before

236
00:15:19.600 --> 00:15:23.559
it happened. He said he heard him mutter the land

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00:15:23.720 --> 00:15:29.039
doesn't want us here. That day, half the crew quit. Still,

238
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Alejandro pushed forward. He was desperate to finish it. He believed,

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had to believe that once Lucilla lived in her new home,

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it would all be worth it. A few weeks later,

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00:15:40.879 --> 00:15:43.840
with most of the structure complete, he brought her to

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00:15:43.879 --> 00:15:48.440
see it. Lucilla's eyes lit up. She explored the ramps

243
00:15:48.639 --> 00:15:52.000
rolled down, the wide corridors, smiled for the first time

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00:15:52.039 --> 00:15:56.519
in months. No one saw when she slipped away. The

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00:15:56.600 --> 00:15:59.720
story goes that she wheeled herself higher and higher up

246
00:15:59.759 --> 00:16:04.039
the unfinished ramps, following the light from the windows. No

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00:16:04.080 --> 00:16:08.679
one noticed until it was too late. Alejandro found her

248
00:16:08.679 --> 00:16:11.879
body on the ground below the largest window on the

249
00:16:11.919 --> 00:16:17.000
third floor. His world ended at that moment. All construction

250
00:16:17.159 --> 00:16:22.759
was halted immediately, but Alejandro stayed. He began living in

251
00:16:22.799 --> 00:16:28.080
the house alone, no furniture, no light, just bottles of

252
00:16:28.159 --> 00:16:33.559
mescal and his grief. Neighbors said they saw him wandering

253
00:16:33.600 --> 00:16:38.279
the halls at night, talking to no one, sometimes crying,

254
00:16:38.919 --> 00:16:44.000
sometimes laughing, and then one day he was gone to

255
00:16:45.360 --> 00:16:48.320
They found him in the main cylinder, beneath a skylight,

256
00:16:48.879 --> 00:16:52.279
slumped over, still holding her favorite drawing in one hand,

257
00:16:52.720 --> 00:16:55.200
a picture of the house they'd never lived in together,

258
00:16:56.120 --> 00:16:59.919
and a gun in the other. The house stood empty

259
00:17:00.080 --> 00:17:04.319
for years, a skeleton of sorrow against the hills of Monterrey.

260
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Time weathered it, but nothing truly touched it. Locals called

261
00:17:09.440 --> 00:17:16.000
it cursed, haunted, doomed. But then something changed. An ambitious

262
00:17:16.119 --> 00:17:20.880
architecture firm, modern sleek, full of bright eyed designers, saw

263
00:17:20.960 --> 00:17:24.920
the shell not as haunted, but as historic. They came

264
00:17:24.960 --> 00:17:30.160
with cranes, steel glass, and confidence. They didn't believe in curses.

265
00:17:30.759 --> 00:17:35.240
They completed what Alejandro had started, finished the ramps, recut

266
00:17:35.319 --> 00:17:39.160
the windows, polished the concrete bones into a minimalist marvel.

267
00:17:40.000 --> 00:17:43.799
It was reborn as a modern luxury home, open plan,

268
00:17:44.039 --> 00:17:49.119
sunlight drenched, and painfully expensive. Today a family lives there,

269
00:17:49.680 --> 00:17:54.519
wealthy and private. But the locals still talk. They say

270
00:17:54.559 --> 00:17:58.720
that sometimes late at night they see shadows moving inside

271
00:17:58.799 --> 00:18:03.079
the long glass windows. Too many shadows for just one family.

272
00:18:04.079 --> 00:18:07.559
Some say they hear something the echo of a wheelchair

273
00:18:07.680 --> 00:18:11.519
rolling across concrete, even though no one there uses one.

274
00:18:12.279 --> 00:18:15.279
Others say they've seen a figure fall from the rooftop

275
00:18:15.359 --> 00:18:18.640
in the dark, only for no body to be found.

276
00:18:19.160 --> 00:18:22.519
A few workers from the remodel refused to ever return.

277
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They said they heard voices, felt watched. They say the

278
00:18:26.759 --> 00:18:29.400
house might look new, but what lives inside it is

279
00:18:29.480 --> 00:18:35.559
still old, still waiting, still unfinished. Maybe it's just a house,

280
00:18:36.440 --> 00:18:58.319
or maybe some things are never meant to be built.

281
00:19:00.559 --> 00:19:03.240
Welcome back, Gohol friends, Thank you so much for tuning

282
00:19:03.279 --> 00:19:05.279
in for that story. So we do have a couple

283
00:19:05.440 --> 00:19:07.839
sources to go through, not a Ton. This was one

284
00:19:07.839 --> 00:19:10.440
of those stories that is very specific to the region,

285
00:19:10.519 --> 00:19:13.680
so there are not many variations of it. So again,

286
00:19:13.799 --> 00:19:16.960
this is a real place, le Goasauvos. The House of

287
00:19:17.000 --> 00:19:19.680
Tubes is a real house in Monterey. The lore, the

288
00:19:19.799 --> 00:19:22.720
legend around it is only in that area, so of

289
00:19:22.759 --> 00:19:25.440
course there's less opportunity for that story to morph. However,

290
00:19:25.480 --> 00:19:28.720
we did take some creative liberties in putting the story together. Again,

291
00:19:28.799 --> 00:19:31.559
this was a SUSTO original by Jeffrey and myself, so

292
00:19:31.920 --> 00:19:34.599
in the people who passed away, the difference is here.

293
00:19:34.680 --> 00:19:36.359
The first source that I want to go through is

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00:19:36.440 --> 00:19:39.319
from a website called scaryfour Kids dot com and the

295
00:19:39.480 --> 00:19:42.880
entry is simply titled House of Tubes, published in twenty thirteen,

296
00:19:43.079 --> 00:19:45.720
and all direct links to these sources will be in

297
00:19:45.880 --> 00:19:49.720
the Susto Google doc on Patreon dot com, Sustal podcast.

298
00:19:49.759 --> 00:19:52.359
But again Scary for Kids dot com House of Tubes.

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So in this one, this story, and it's essentially the

300
00:19:55.200 --> 00:19:58.680
same story, but here it says that the death, the

301
00:19:58.720 --> 00:20:01.839
first one that happened was when the owner or the

302
00:20:01.880 --> 00:20:04.000
person that was having the house built for his daughter

303
00:20:04.200 --> 00:20:06.559
took her to visit it, and so she was there

304
00:20:06.759 --> 00:20:11.279
when two workers passed away due to an accident. So

305
00:20:11.359 --> 00:20:13.160
it says here on the day the girl went to

306
00:20:13.160 --> 00:20:15.759
see the house, two of the architects who designed it

307
00:20:15.839 --> 00:20:19.559
suffered a terrible accident and were killed by falling concrete. Already,

308
00:20:20.200 --> 00:20:23.200
not even two of the construction workers. It was two

309
00:20:23.279 --> 00:20:27.119
of the architects. I'm wondering if they're using that interchangeably,

310
00:20:27.200 --> 00:20:29.440
if it's maybe it was two of the workers, two

311
00:20:29.480 --> 00:20:32.240
of the I'm not sure, but two people died as

312
00:20:32.279 --> 00:20:34.960
a result of an accident when the father took her

313
00:20:35.039 --> 00:20:37.839
daughter to see the house. Right, it says the family

314
00:20:37.920 --> 00:20:41.039
managed to hire another group of builders because the construction

315
00:20:41.119 --> 00:20:43.400
crew that first one after that accident, they refused to

316
00:20:43.400 --> 00:20:45.480
continue work, so they were able to hire another group

317
00:20:45.519 --> 00:20:47.759
of workers, and the girl wanted to go back and

318
00:20:47.880 --> 00:20:50.599
check on them. I'm guessing the little girl she just

319
00:20:50.640 --> 00:20:52.759
wanted to go see this story. It seems like she's

320
00:20:52.759 --> 00:20:55.519
more involved with it, right, versus the version that we told.

321
00:20:55.559 --> 00:20:58.000
It's kind of centered around the dad's experience and his

322
00:20:58.039 --> 00:21:00.160
involvement with it. It says here that she wanted to

323
00:20:59.880 --> 00:21:02.880
go check it out, and so that she was exploring

324
00:21:02.880 --> 00:21:04.640
the house like we said in the story, and that

325
00:21:04.720 --> 00:21:08.440
she began to slide backward down a ramp. It seems

326
00:21:08.440 --> 00:21:10.480
here like it was maybe a force that was pulling

327
00:21:10.480 --> 00:21:12.759
her because she was unable to stop herself, and that

328
00:21:12.839 --> 00:21:16.079
her wheelchair, it says here, came hurtling down the ramp,

329
00:21:16.160 --> 00:21:19.119
going much too fast. The poor girl went flying out

330
00:21:19.160 --> 00:21:22.240
the open window and fell to her death. And this continues.

331
00:21:22.279 --> 00:21:24.680
Her grieving parents couldn't bear the thought of living in

332
00:21:24.720 --> 00:21:27.319
the property that had caused their daughter's death, so all

333
00:21:27.319 --> 00:21:30.839
construction was immediately stopped, never to resume again. As you

334
00:21:30.839 --> 00:21:32.799
can hear from here, we say her grieving parents. So

335
00:21:33.079 --> 00:21:35.920
again in this version of the story, she has both

336
00:21:35.920 --> 00:21:38.160
her parents, and we focus more so on her dad

337
00:21:38.200 --> 00:21:40.400
in the version that we tell. But this continues that

338
00:21:40.599 --> 00:21:43.759
years later the building that it was half finished, it

339
00:21:43.799 --> 00:21:45.400
was put on the market. There were not all the

340
00:21:45.440 --> 00:21:48.400
people that were interested, but one wealthy family went to

341
00:21:48.440 --> 00:21:51.440
see the house. It was two parents and I'm guessing

342
00:21:51.519 --> 00:21:54.200
their young son. And while they were checking out the house,

343
00:21:54.279 --> 00:21:57.480
the boy went off exploring on his own, and that

344
00:21:57.720 --> 00:22:01.039
they heard him screaming. This says when they looked up,

345
00:22:01.160 --> 00:22:04.000
they saw him struggling with a little girl. As they

346
00:22:04.079 --> 00:22:07.319
watched in horror, The girl grabbed their son and tossed

347
00:22:07.359 --> 00:22:09.720
him out of the window. The boy landed on the

348
00:22:09.720 --> 00:22:13.039
ground below with a sickening thud. The young girl was

349
00:22:13.119 --> 00:22:16.480
nowhere to be found. After this terrible tragedy, the authorities

350
00:22:16.519 --> 00:22:18.559
fenced off the land and it was no longer available

351
00:22:18.599 --> 00:22:20.640
to the public. They say the house is cursed and

352
00:22:20.680 --> 00:22:22.680
it is haunted by the ghosts of the two children

353
00:22:22.720 --> 00:22:26.000
who died there. This would kind of lead you to believe, like, oh,

354
00:22:26.119 --> 00:22:29.599
the ghosts of the girl who died there, she attacked him.

355
00:22:29.640 --> 00:22:31.519
Right then It's like, what if it was an attack,

356
00:22:31.640 --> 00:22:35.319
what attacked those two construction workers and what attacked the

357
00:22:35.359 --> 00:22:37.960
little girl. So I think it's maybe like it could

358
00:22:37.960 --> 00:22:40.440
be an entity. If we wanted to flesh out this

359
00:22:40.599 --> 00:22:44.359
idea of what is actually happening in the House of Tubes,

360
00:22:44.400 --> 00:22:46.319
it could be an entity. I think maybe that's taking

361
00:22:46.359 --> 00:22:49.640
different forms. So I'm not sure what form the construction

362
00:22:49.720 --> 00:22:51.839
workers may have seen, if anything at all, or what

363
00:22:51.880 --> 00:22:55.039
the little girl saw, But then it could possibly have

364
00:22:55.079 --> 00:22:57.440
taken the form of the girl to get the little

365
00:22:57.519 --> 00:23:00.119
boy that the other people saw. I don't know. Oh,

366
00:23:00.319 --> 00:23:02.799
but this finishes it says it is said that at night,

367
00:23:02.839 --> 00:23:05.720
the horrible sound of a young girl weeping can be heard,

368
00:23:05.839 --> 00:23:08.359
and the ghostly apparition of a young boy has been

369
00:23:08.400 --> 00:23:11.359
spotted playing the entrance. Some people claim to have seen

370
00:23:11.400 --> 00:23:13.519
a young girl standing at the open window of one

371
00:23:13.519 --> 00:23:16.799
of the upper floors and waving at passers by, again

372
00:23:17.039 --> 00:23:19.599
with it's always for some reason to me, it's a

373
00:23:19.640 --> 00:23:23.160
little creepier when it's kids, because you don't expect to

374
00:23:23.160 --> 00:23:26.079
see you know, you expect people to live full lives.

375
00:23:26.119 --> 00:23:28.839
That is always the hope and the goal. Right. And

376
00:23:28.920 --> 00:23:33.720
also demons quote demons notoriously take shape of children, right

377
00:23:33.759 --> 00:23:35.720
to kind of lure people in. They take the form

378
00:23:35.720 --> 00:23:40.119
of something innocent, so that you're you're disarmed, right anyway.

379
00:23:40.359 --> 00:23:44.279
This next source here is from Monterey secreto dot com

380
00:23:44.440 --> 00:23:47.319
and this has a listical It says, these are the

381
00:23:47.319 --> 00:23:50.839
most famous haunted places in Monterey. Did you already know them?

382
00:23:51.039 --> 00:23:53.559
Have you visited them? Many of the places on this

383
00:23:53.599 --> 00:23:55.920
list can be visited, But are you brave enough to

384
00:23:55.960 --> 00:23:58.160
do it? I will also say, and you'll see pictures

385
00:23:58.160 --> 00:24:00.640
of this throughout not only the video but on social media.

386
00:24:00.759 --> 00:24:03.599
The house itself. Now it is finished. I want to

387
00:24:03.640 --> 00:24:06.680
say it finished. Sometime in like the early two thousands.

388
00:24:06.839 --> 00:24:10.400
It's a gorgeous house. It is truly like a luxury

389
00:24:10.920 --> 00:24:14.599
you can tell an expansive house. But I don't believe. Yeah,

390
00:24:14.640 --> 00:24:16.960
Like like we said in the story, the family lives there,

391
00:24:17.000 --> 00:24:18.799
I don't believe it's open. I wish they would open

392
00:24:18.799 --> 00:24:21.200
it up as like an Airbnb, because it's it's interesting.

393
00:24:21.240 --> 00:24:25.039
It's like, it looks like this beautiful museum like almost thing,

394
00:24:25.240 --> 00:24:27.960
but it has this kind of spooky history where it's like,

395
00:24:28.039 --> 00:24:30.200
I feel like those things. Normally a haunted place looks

396
00:24:30.200 --> 00:24:32.119
a certain way, right, but this is not this. It

397
00:24:32.200 --> 00:24:34.359
really looks like a museum in some ways. This is

398
00:24:34.400 --> 00:24:36.200
a short entry and it says the legend of this

399
00:24:36.279 --> 00:24:39.640
house with a peculiar architectural style, tells that it was

400
00:24:39.680 --> 00:24:42.079
a gift from a father to his daughter who suffered

401
00:24:42.079 --> 00:24:45.240
from paralysis and could not walk. The house has this

402
00:24:45.319 --> 00:24:47.720
shape because it was intended so that the girl could

403
00:24:47.799 --> 00:24:49.920
move freely in her wheelchair. And so this is where

404
00:24:49.960 --> 00:24:51.799
we got the idea of following just the father and

405
00:24:51.839 --> 00:24:54.599
the daughter in the story. Right. This continues however, since

406
00:24:54.640 --> 00:24:58.759
its construction, strange things began to happen, and the masons

407
00:24:58.759 --> 00:25:01.799
and builders commented that as they progressed with the work,

408
00:25:01.920 --> 00:25:04.079
they felt that they were being watched and some of

409
00:25:04.119 --> 00:25:07.559
the tools disappeared and appeared in impossible places. So again

410
00:25:07.599 --> 00:25:11.240
there's that detail of things being moved, which also we

411
00:25:11.440 --> 00:25:14.079
oh my god, new theory. So maybe not an entity.

412
00:25:14.160 --> 00:25:16.920
What if it was Dwendez because we know that dwends

413
00:25:16.960 --> 00:25:19.440
can be mischievous and they can move things around. They

414
00:25:19.480 --> 00:25:22.240
can also lead people to their deaths. They lure them away, right,

415
00:25:22.319 --> 00:25:26.839
but typically they're like forest dwelling creatures. I'm not sure

416
00:25:26.839 --> 00:25:30.000
this is like, this looks like a really it's it's

417
00:25:30.000 --> 00:25:32.599
like a mountainside. So maybe they could be in this area.

418
00:25:32.720 --> 00:25:35.400
I don't know. They said a girl, they could be.

419
00:25:35.480 --> 00:25:38.000
They could have meant like a small girl, like a child.

420
00:25:38.119 --> 00:25:40.920
I don't know. Hey, who knows. Okay, So so far

421
00:25:40.960 --> 00:25:43.799
we have evil entity that can change forms, and now

422
00:25:43.799 --> 00:25:46.720
we have Guendez. Right. Anyway, this continues. When they finished

423
00:25:46.759 --> 00:25:49.559
the top floor, a brick layer was thrown out of

424
00:25:49.599 --> 00:25:52.160
one of the windows and died. So a brick like

425
00:25:52.160 --> 00:25:54.960
a person who lays bricks. Construction stopped to investigate the

426
00:25:55.000 --> 00:25:58.599
cause of death, which was determined to be quote accidental death.

427
00:25:58.799 --> 00:26:02.160
Shortly thereafter, construction resumed, and when the father took his

428
00:26:02.279 --> 00:26:04.599
daughter to see his house. On one of the tours

429
00:26:04.599 --> 00:26:06.599
of the mansion, the girl slipped down one of the

430
00:26:06.680 --> 00:26:08.920
ramps and was thrown out of one of the windows

431
00:26:08.920 --> 00:26:12.440
and died instantly. Shortly after the girl's death, the father

432
00:26:12.880 --> 00:26:15.920
also died by suicide in this place in the in

433
00:26:15.960 --> 00:26:18.400
the home, people who have visited the house have claimed

434
00:26:18.440 --> 00:26:22.480
to have witnessed poultrygeist cases or poultrygeist activity. So this

435
00:26:22.599 --> 00:26:25.440
was also mentioned in the story that the father did

436
00:26:25.480 --> 00:26:27.839
die by suicide, and so of course obviously that's going

437
00:26:27.880 --> 00:26:30.400
to add to like the haunting element. I feel like

438
00:26:30.440 --> 00:26:32.839
in a movie, right, he would be able to be

439
00:26:32.960 --> 00:26:35.680
with his daughter. But that's really really tragic and really

440
00:26:35.720 --> 00:26:39.200
morbid to think of that as a solution. I don't know. Yeah,

441
00:26:39.519 --> 00:26:42.119
this is really just truly a sad story. So this

442
00:26:42.160 --> 00:26:46.839
next source is from a website called amazing architecture dot com,

443
00:26:46.839 --> 00:26:49.440
because this is an amazing house and this was published

444
00:26:49.440 --> 00:26:51.759
four years ago. It's titled The House of Tubes in Montee,

445
00:26:51.880 --> 00:26:56.599
Mexico by Endriquelal by Grupo Urban. This says, what was

446
00:26:56.640 --> 00:27:00.000
this published in four years ago? So twenty twenty one right,

447
00:27:00.200 --> 00:27:04.039
and this says the Mexican architecture firm Stato by Grupo Urban,

448
00:27:04.279 --> 00:27:08.400
led by Enrique Leal, has recently completed the House of Tubes,

449
00:27:08.480 --> 00:27:11.880
a new residence project, integrating it into an existing structure

450
00:27:11.920 --> 00:27:14.839
from the middle of the nineteen seventies, particular shapes and

451
00:27:14.920 --> 00:27:17.839
volumes that made history in the southern part of the

452
00:27:17.880 --> 00:27:21.200
city of Monterrey. So again, yeah, around twenty twenty, twenty

453
00:27:21.279 --> 00:27:24.599
twenty one, this thing was completed, and there's an architecture

454
00:27:24.599 --> 00:27:27.079
statement here. It says, this project seeks to find the

455
00:27:27.079 --> 00:27:30.200
balance between the pre existing and the new. How can

456
00:27:30.240 --> 00:27:33.119
it be adapted to something that was already there the

457
00:27:33.200 --> 00:27:35.960
needs and wishes to a shape that does not present

458
00:27:36.039 --> 00:27:39.920
a direct dialogue with them. The answer was complex. Demolishing

459
00:27:39.920 --> 00:27:42.039
the house was the first impulse that made sense in

460
00:27:42.160 --> 00:27:45.480
face of the challenge. Rescuing the structure and integrating the

461
00:27:45.559 --> 00:27:48.480
necessities led us to a point where the analysis became

462
00:27:48.599 --> 00:27:53.960
challenging and insinuating. We discovered that eradicating as well as replicating,

463
00:27:54.000 --> 00:27:56.680
we're a language that didn't translate to the project. Okay,

464
00:27:56.720 --> 00:27:59.680
and there's more to this architecture statement. So it's really

465
00:27:59.680 --> 00:28:03.720
interesting to see how an architecture like this looks at

466
00:28:04.000 --> 00:28:07.200
a building. You know, at the very base level, this

467
00:28:07.319 --> 00:28:09.359
is a building, it's a structure, but to see how

468
00:28:09.400 --> 00:28:10.720
someone thinks about it. And there are a ton of

469
00:28:10.799 --> 00:28:13.799
pictures on this link itself, so you can really see

470
00:28:13.839 --> 00:28:16.720
like all the details and it's just, I don't know,

471
00:28:17.039 --> 00:28:19.920
it's really it's just cool to look at and see

472
00:28:19.920 --> 00:28:22.559
how they managed to meld those two things. Because again

473
00:28:22.680 --> 00:28:24.599
there's you can see why they called it the House

474
00:28:24.640 --> 00:28:26.880
of tubes. It looks like these pipes sending up and

475
00:28:26.880 --> 00:28:29.039
then there's you can see the structure that they added.

476
00:28:29.200 --> 00:28:31.920
Almost looks like it's a separate thing, but they made

477
00:28:31.920 --> 00:28:34.480
it work. I don't know, it's beautiful. But tod a

478
00:28:34.519 --> 00:28:37.279
bit from this link. It says the property is located

479
00:28:37.319 --> 00:28:40.400
within the Guadalupe Municipality, which is a part of the

480
00:28:40.440 --> 00:28:44.640
metropolitan area of Monterre, Mexico, located in Serro de la Silla,

481
00:28:44.680 --> 00:28:47.519
which is one of the most emblematic mountains in the

482
00:28:47.559 --> 00:28:50.640
city and in Mexico. The whole property is located at

483
00:28:50.640 --> 00:28:52.720
the foot of the mountain. It has a forty five

484
00:28:52.759 --> 00:28:56.119
degree slope, which represents more than fifty percent of its surface.

485
00:28:56.480 --> 00:28:59.720
This says a little bit later. The original property, which

486
00:28:59.799 --> 00:29:03.480
has several cylinder shaped buildings, has had not been finished

487
00:29:03.480 --> 00:29:06.480
since the beginning of the construction in the mid nineteen seventies.

488
00:29:06.599 --> 00:29:09.039
The building is known amongst locals as La Gasa de

489
00:29:09.079 --> 00:29:12.000
los Uvos. La Gasa de los Thuvos has captivated the

490
00:29:12.039 --> 00:29:15.119
city's imagination. Its unique design and the fact that it

491
00:29:15.200 --> 00:29:18.440
was never finished allowed space for some urban legends, so

492
00:29:18.480 --> 00:29:21.240
they even mentioned that here. They do not get into

493
00:29:21.359 --> 00:29:24.240
the specifics of the urban legends on this website, and

494
00:29:24.279 --> 00:29:26.359
I wish they did, just because it's it's such a

495
00:29:26.359 --> 00:29:30.279
professional presentation of this house. But that's probably why they

496
00:29:30.279 --> 00:29:32.359
didn't get into it, because this is supposed to be

497
00:29:32.640 --> 00:29:35.559
a professional representation of the house. But again, tons of

498
00:29:35.599 --> 00:29:39.119
pictures that you also check out. It's literally like looking

499
00:29:39.160 --> 00:29:42.000
at a museum, like I would be worried to live

500
00:29:42.000 --> 00:29:44.720
in here. I'd be like, I can't touch anything. And again,

501
00:29:44.759 --> 00:29:48.200
this is at Amazing Architecture dot Com, the House of Tubes.

502
00:29:48.359 --> 00:29:51.240
There's even sketches here of the house when they decided

503
00:29:51.240 --> 00:29:54.440
to do this modern kind of integration into it. It's

504
00:29:54.440 --> 00:29:56.519
really cool. What I will say I think is an

505
00:29:56.519 --> 00:29:59.960
interesting detail is at the center of both of the structure,

506
00:30:00.160 --> 00:30:03.680
the original tubes and the modern kind of thing is

507
00:30:03.920 --> 00:30:06.240
one of the tubes, and they have here in the

508
00:30:06.279 --> 00:30:09.640
sketch and they said it's it's the pool. It's a

509
00:30:09.720 --> 00:30:12.480
water joint element. That's kind of how they joined the

510
00:30:12.480 --> 00:30:16.039
two things. And I don't know how intentional that was,

511
00:30:16.160 --> 00:30:19.240
but the idea of water, which we know as a conduit,

512
00:30:19.640 --> 00:30:23.119
is being used to meld past in the present or

513
00:30:23.200 --> 00:30:25.759
the past in the future, and the water is the present.

514
00:30:25.839 --> 00:30:28.000
You know, it's all like it's a pool, right you

515
00:30:28.039 --> 00:30:29.200
look at it, It's like, oh, it's just a pool

516
00:30:29.200 --> 00:30:31.640
in the house. But I don't know, it feels like

517
00:30:32.160 --> 00:30:35.319
having it in that specific area in the center of

518
00:30:35.359 --> 00:30:37.279
the house, in the center of these two things is

519
00:30:37.480 --> 00:30:41.720
very intentional. Who knows. Maybe it was just aesthetically it

520
00:30:41.759 --> 00:30:45.680
was the best choice, but I think spiritually, I think

521
00:30:45.720 --> 00:30:49.000
it was a spiritual choice. And that is purely conjecture.

522
00:30:49.000 --> 00:30:51.440
I do not know this architecture, this architect at all,

523
00:30:51.559 --> 00:30:53.680
or this designer at also completely not up to me.

524
00:30:53.880 --> 00:30:56.359
The last thing we have here is kind of a source,

525
00:30:56.400 --> 00:30:58.759
but not really. I mean, they do talk about the home,

526
00:30:58.799 --> 00:31:01.119
but they don't talk about the legend is a video

527
00:31:01.359 --> 00:31:04.200
on YouTube and it's called the House of Tubes in

528
00:31:04.200 --> 00:31:08.640
monter Mexico by Enrique Leal h Stato by Grupo Urban

529
00:31:08.799 --> 00:31:11.880
and it's just a video of this house itself, So

530
00:31:11.880 --> 00:31:13.559
if you don't want to scroll through the pictures, you

531
00:31:13.559 --> 00:31:16.119
can watch this video and there's someone there's a voiceover

532
00:31:16.240 --> 00:31:18.480
talking about the house and the architecture, and it's very

533
00:31:18.519 --> 00:31:21.400
like moody and artsy, so I mean, it's beautiful. If

534
00:31:21.400 --> 00:31:23.880
you're if hey, if you have millions of dollars and

535
00:31:23.960 --> 00:31:26.559
you're looking for inspiration to build a home, watch this

536
00:31:26.720 --> 00:31:44.920
video and also send me a dollar. Please. Welcome back, girlfriends.

537
00:31:44.960 --> 00:31:47.799
Thank you so much for joining me for this episode

538
00:31:47.839 --> 00:31:50.240
of Susto. I hope you enjoyed it. If you would

539
00:31:50.279 --> 00:31:51.960
like to support the show, you can do so by

540
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engaging with it wherever it is. So that means by

541
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listening to the episode, liking, sharing, leaving positive ratings and reviews,

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That's at sous to podcasts on every platform, which now

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includes YouTube, so go ahead and subscribe on YouTube. Like

545
00:32:07.960 --> 00:32:10.359
I said, I will be doing more public video content,

546
00:32:10.480 --> 00:32:11.920
so feel free to let me know what you would

547
00:32:11.920 --> 00:32:14.720
like to see on there as well. I will take ideas. Again,

548
00:32:14.759 --> 00:32:18.240
it does not have to be Sustal specific or paranormal related.

549
00:32:18.359 --> 00:32:20.680
I'll do just random fun things on there too. We

550
00:32:20.799 --> 00:32:23.079
will see And as always, if you would like to

551
00:32:23.079 --> 00:32:26.079
hear your own story on a Letters from the Beyond episode,

552
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you can do so by visiting my website sustopodcast dot

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com or by visiting the linktree that's linkdr dot e

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Submit a story button and then filling out the Letters

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And finally, you can consider joining the Patreon at patreon

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Patreon dot com slash Susta podcast see which one works

565
00:33:03.880 --> 00:33:06.359
for you. Speaking of thank you so so much to

566
00:33:06.440 --> 00:33:10.680
this episode's patrons. Your support means the underworld to me,

567
00:33:10.839 --> 00:33:20.000
and you are Liza Sadie, Rachel, Alejandra Luther, April, d Jose, Sam, Mandy, Jules, Laurie, Genie, Monica, Desiree,

568
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See Ashes, Nedessa, Rachel, Asusena, Marlen, Chata, Laney, Desiree A,

569
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570
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Floor and Selina. Thank you all so so much and

571
00:33:36.119 --> 00:33:38.880
I will talk to you in the next one. Until

572
00:33:38.920 --> 00:34:14.559
then nots bye. St