June 11, 2026
Querétaro's Ministry of Exorcisms

I COMMAND YOU IN THE NAME OF JESUS!!! In this episode Ayden exorcises the story of the Chapel of Blessed Souls in Purgatory in Queretaro—Mexico's Ministry of Exorcisms.
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A girlfriend. It's me Adrian or Aiden. Either way, I
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am still your host and you are still listening to Sousto,
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the podcast of paranormal folklore from Latin America. Welcome back,
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and thank you so much for joining me. I believe
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this is the very first episode that will be available
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recorded in Austin Public studios. I'm so excited. Look, we
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have all this amazing room, so technically we have recorded
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another episode, but that one isn't coming out until I
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think next month, just because of how we scheduled our
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year this year. I know we're very official, We're very
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on top of it.
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So hey, welcome.
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This is one of many You will also be able
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to find episodes of Sustal on Austin Public's channels. I
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will provide more information about that all over social media.
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That's why it's always important to follow at Schosto podcast
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on every platforms that you get every and all update
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about the show, what's going on with it, where it's
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going to be very important and really cool updates like
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this one. So welcome Austin Public. Thank you for having us.
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I'm very excited, very proud to be part of the
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producer program here which allows me to produce episodes in
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again this beautiful, beautiful space. I have a monitor I
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get to see myself, so if you catch me looking up,
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that's what's going on. I'm just kind of checking myself out. Anyway,
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let's get things started. In addition to being in this
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really cool space, another fun exciting announcement is it's Pride Month, y'all.
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Happy Pride Month. Listen. I don't think I have ever
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been more mad at the government than I am right now.
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So this year, I'm going certainly going to do this,
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and I encourage you to do this if you're part of
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the community. I'm going to be super gay, super queer,
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super loud, and super proud about it. And I encourage
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you if you are in a space in a place
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where you are able to do that, please do the same.
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I think it's very important to celebrate Pride Month every year,
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but I think especially this year with everything going on,
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so I'm very excited to see what we get up
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to for Pride Month. I've said this before. I am
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fully romanticizing the summer heat as well, so we'll see
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how that goes. But regardless of how I feel about
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being outside, I'm so happy to celebrate Pride Month this year,
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and I hope that you join me in it. Whether
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you are part of the community or an ally, Let's
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do it. Let's do it big this year. Moving on
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some really quick updates is we have the book club.
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We have a new book announced for the month of June.
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We are reading Binata by Leopolo gut or Goo is
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how I've heard people pronounce his name in interviews, so
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I believe I have that right. This is one of
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those books I have had on the pile for a
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very long time, but now with the book club, it's
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keeping me accountable. So I'm very excited to read this one,
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and I hope that you will join us. As always,
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the book club is available for anybody to join. You
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don't need to make any sort of payment or physically
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sign up for something. All you have to do is
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again follow social media at Sustal podcast. On every platform,
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I make announcements about the book club, so you will
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see an announcement for this one if you haven't seen
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it already. You read the book throughout the month, and
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then I will post details about a book discussion towards
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the end of the month. We meet online so you
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can join from wherever you are, and like I mentioned,
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you do not need to sign up for anything. It's
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available to everybody. However, if you would like perks like
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voting for the book and access to the discord channel
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for the book club, you can sign up at sustalplus
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dot com for those extra perks. One last thing I
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want to talk about before we move on to the
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story is it is summer, but we know that these
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months move fast and before we know it, Spooky Season
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will be here. With that being said, I do want
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to let everybody know that I'm available for bookings.
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I'm available for anything.
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There's maybe I want to say, four or five months
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until Spooky Season officially kicks off, so it's usually like September,
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October and November is when I get busy with events,
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So programmers, organizers, promoters reach out now for any Halloween
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or fall season events. And as a reminder, I do
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live storytelling, so it's essentially like a live episode where
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we tell the story and we have a group discussion
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about it, which I think those are some of my
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favorite things to do. But on top of that, I
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can also do panel discussions. I can moderate panels, I
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will do guest spots on your shows. I can host
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an MC events as I recently found out I was
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able to do, and can also do podcasting workshops. So
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please reach out to me. Send me an email to
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Soustal podcast at gmail dot com. You can also reach
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me on social media via DM. Whatever you need for
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this upcoming spooky season, reach out to me and we
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can work on something.
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I always say this, I.
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Love to collaborate, especially with local creators and organizers, So
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anywhere basically in the Texas Triangle, which is Austin, San Antonio, Houston,
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I think is is that right? We'll see I may
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have to issue correction on that, but well, that and
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the Rio Grande Valley. Of course, I'm always looking for
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an excuse to go home. So if you're in those
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areas and you have some sort of live event coming
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up or even an online event, reach out to me.
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And one final reminder, as always, send me your scary
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stories that they can be featured in an upcoming Letters
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from the Beyond episode. You can use the submit story
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button that is on my website or in the episode
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description below. If you don't have a written story, that
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is totally fine. You don't need to send something in
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that's written. You can also send in photos, videos, or.
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An evp oo.
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If you happen to catch a ghost on audio, anything
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that we can post in an episode or on social media,
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send that to me. And finally, you can support SUSTO
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by engaging wherever you are listening, so that means leaving
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positive ratings and reviews and comments. And again, if you'd
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like to support and receive exclusive and extra perks, you
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can visit sustal plus dot com. Now, my children, please
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be seated, and let's get into today's episode, which is
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all about Getatoo's Ministry of Extorcisms. The road to Soriano
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winds through the hills of Kerretto, drawing travelers along its
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curves toward one of the region's most visited sanctuaries. Families
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pause along the roadside for photographs, smiling into the light,
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while vendors line the approach, selling candles, rosaries, and other
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devotional curios beneath the bright Mexican sun. At first glance,
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nothing about the destination feels unusual or out of place.
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The Basilica, the Nuestra Signora de Roslrees del Soriano, or
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Basilica of our Lady of Sorrows of s Oriano rises
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from the landscape in pale stone, familiar in form and purpose,
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standing much like countless other Catholic shrines across Central Mexico,
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as a place defined by prayer and veneration. Visitors drift
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across the grounds at an unhurried pace and follow the
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shaded stone walkways that bend between trees and open into wide,
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sunlit spaces. It is the kind of place where people
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come to seek comfort and to feel, if only for
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a moment, that the world has steadied beneath them. There
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is nothing in the movement of the crowd or the
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calm of the surroundings to suggest that anything here might
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disturb that feeling. And yet, just beyond the main flow
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of visitors, past a set of descending steps that lead
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away from the noise and toward something quieter, there stands
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a structure few notice unless they are looking for it.
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It does not announce itself with height or ornament, and
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it does not draw a crowd. Instead, it sits partially
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concealed by the landscape, modest in scale and easy to overlook,
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as though it were never meant to compete with the
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basilica above. It. This is La Capilla de las Benditas
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Animas del Purgatorio, or the Chapel of the Blessed Souls
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in Purgatory. From the outside, it gives no clear indication
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of what lies within, and for many who pass it
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it remains just another small building among many others, in
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a place already filled with them. But the experience changes
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the moment one steps through the doorway, where the brightness
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of the sanctuary gives way to something placid and more contained. Inside,
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the light settles differently. It filters through stained glass with
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colors that seem softened, as though they lose their intensity
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before reaching the floor. The walls are a light blue color,
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stripped of the elaborate ornamentation that defines so many churches
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in the region. There is no overwhelming display of gold
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and no sense of visual abundance. A painting of Jesus
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hangs on one wall. Behind the altar is a painting
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of Purgatory, depicting the blessed souls the chapel is named for. Otherwise,
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the space feels deliberately restrained, as though everything unnecessary has
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been removed to leave only what cannot be ignored. The silence, too,
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feels as though it has accumulated over time, rather than
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simply existing, in the way most chapels feel when mass
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is not happening. Footsteps echo, and even the smallest movements
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seem to carry farther than they should. Visitors lower their
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voices without being told, and many stop speaking entirely, as
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though conversation itself feels inappropriate. It is often here, standing
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in that quiet that people begin to notice something they
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cannot easily explain. Some describe it as a heaviness, others
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as a sensation of being observed, though there is nothing
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visible to confirm it. Skeptics might attribute the feeling to
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expectation or suggestion, but for those who arrive without knowing
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the chapel's purpose, the reaction often comes first, long before
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any explanation is offered. Because this is not merely a
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place for prayer, it is a place where exorcisms are performed.
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The reality takes shape slowly, almost reluctantly, once the history
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of the chapel is understood. In two thousand four, the
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Diocese of Gerretro established a formal ministry of exorcism in
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response to a growing number of requests from individuals who
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believed they were experiencing demonic influence. These cases ranged widely
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from reported oppression to more severe claims of possession. While
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the Church has always maintained that such occurrences are rare,
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the volume of requests suggested that something at the very
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least required attention. The Church responded cautiously, as it always
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has in such matters. Before any exorcism is considered, individuals
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must undergo extensive evaluation by medical and psychological professionals, with
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conditions such as mental illness or trauma or neurological disorders
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carefully ruled out. Most cases are resolved at this stage,
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explained through known and treatable causes, but not all of
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them are, and those that remain become the responsibility of
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clergy trained specifically to address them. By two thousand six,
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donations had begun to fund the construction of a dedicated
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space for this delicate work, one that would be separate
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from the everyday life of the Basilica. Over the next
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several years that vision took shape, and in twenty ten,
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under Bishop Mario de Gasperin, the chapel was opened. Its
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purpose was not symbolic or ceremonial. It was purely practical
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a controlled environment where investigations and rites could take place
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without interruption or influence. The need for such a space,
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according to diocesan figures, had been driven by a significant
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number of reported cases, with estimates suggesting that as many
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as four hundred incidents across Geddetharro alone were brought forward
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in the period leading up.
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To its construction.
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In response, clergy began addressing these cases with increasing frequency,
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sometimes conducting multiple rights within a single week. At times,
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reports suggested as many as twenty interventions, though church officials
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emphasized that not all of these constitute formal exorcisms, with
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many involving prayers of liberation or spiritual counseling. Even so,
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the frequency itself has drawn attention, particularly in a region
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where such fears are not new. In sixteen ninety one,
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Gheddethro experienced what historians have described as a wave of
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reported demonic possession. Colonial records detail accounts of individuals displaying
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behavior that at the time was understood as evidence of
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dear byabolical influence, convulsions, altered speech, violent reactions to sacred objects,
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and knowledge they should not have possessed. These reports spread
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through communities, drawing the attention of religious authorities who struggled
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to determine whether they were witnessing a spiritual phenomenon, a
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cultural response to fear, or something that lay between the two.
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Centuries later, the explanations have evolved, but the underlying concerns
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remained familiar within parts of the community. The increase in
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reported cases is often linked to practices viewed by the
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church as spiritually dangerous, including witchcraft, taro reading, seances, ouigi boards,
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and the veneration of Santa Merte. For those who hold
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strict Catholic beliefs, such practices are not harmless expressions, but
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potential invitations through which some something unwanted may enter. Whether
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the claims of possession are accepted or dismissed, this framework
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shapes the purpose of the chapel and the work performed
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within it. Exorcisms are carried out only after all other
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explanations have been excluded. Even then, they rely on a
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set of signs that are interpreted carefully rather than accepted outright.
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Among them are reports of objects moving without explanation, the
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sudden knowledge of hidden information, an intense aversion to sacred objects,
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or the ability to speak languages never learned. None of
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these on their own are considered proof, but in combination
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they form the basis for further action. Specific cases tied
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directly to the chapel are difficult to verify, in part
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