Nov. 28, 2024
Ruinas de Cartago

How long ago was your last confession? In this episode, Ayden shares a story that revolves around a forbidden desire that leads to a tragic confrontation, resulting in a curse that haunts a church in Costa Rica
Want to share your own creepy story,...
How long ago was your last confession? In this episode, Ayden shares a story that revolves around a forbidden desire that leads to a tragic confrontation, resulting in a curse that haunts a church in Costa Rica
Want to share your own creepy story, picture, or recording? Leave a 5 star review with your story attached, email Ayden at sustopodcast@gmail.com, DM on social media, or visit SustoPodcast.com to be shared on the show!
Sign up for Patreon here!
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A cool friends, it's me Adrian or Aiden. Either way,
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I am still your host and you are still listening
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to Sustal, the podcast of Ouky' spooky scary stories centered
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on paranormal folklore from Latin American and Hispanic cultures. Welcome back,
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thank you for rejoining me once again, and if this
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is your first time, don't be scared, it's okay. Welcome
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to the Haunted House, to the Susto fam, and thank
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you for being here. I cannot believe that we are what.
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It's the end of November. This is wild, this month
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flew by. I am so ready for little bit of
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a break. I'm so ready to relax. I love the
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holidays as much as I love spooky season. Right that
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is like the beginning of the holiday season itself, all
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the bur months. I said this at the beginning. They're
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my favorites. It's when it gets cooler outside I can
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dress in layers. My heated blanket is constantly plugged in.
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So I'm so excited. A couple quick things before we
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get into today's episode. If you have not heard it,
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I was recently on the I believe it's still the latest.
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I don't think she's uploaded in you and yet on
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the latest episode of True Crime Cases with Laneye or
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as I love to call her, Slaney My Honestly, I'm
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going to say it, Laney is like a mentor to
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me in the podcasting world. Go please listen to that episode,
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but not only that episode, all of her other episodes
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because her voice is like butter, It's beautiful. So I
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try to put on, you know, my Laney hat and
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deliver my best true crime script voiceover. It was a
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really interesting episode, so again highly suggest you. I'll go
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check that out again. It's True Crime Cases with Laney
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and the episode was the Kendall and Gwen Myers episode
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published on the fifteenth. I also want to give a huge,
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huge thank you to Critical Mystery Studies as a whole
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and everyone that went into that. So thank you so
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much to the Department of Chicano and Chicana Studies, the
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Department of English, the Institute for American Indian Research, the
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Center for Regional Studies of Central La La Rasa, the
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Southwest Hispanic Research Institute, and the College of Arts and Sciences.
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Thank you so much for having me out for Critical
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Mystery Studies. It was so much fun. I truly. I
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think I've said this before, but it felt kind of
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like small fish big pond, or like the big fish
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and the I don't know just whatever the fish theory
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is or analogy. I just I was out there and
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I felt a little intimidated at first, and then I again,
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I'm trying to give myself more credit and allow myself
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to feel purpose in those kinds of spaces, if that
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makes sense either way. Aside from whatever was happening in
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my head, everyone involved there made it such an amazing time.
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They made me feel so welcomed, and all the presentations
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were amazing. So definitely I would say keep an eye
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out for i'll say, maybe some collaborations to come out
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of that in the future. But I also want to
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give a huge shout out to the graduate students who
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helped organize and run the show. You all did an
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amazing job at Congratulations and also good luck in your programs.
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And I also want to give a very special shout
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out because I want to show you all how community
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really works. Whenever I ask you all to recommend me
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to an organizer or to an event planner or anything,
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or recommend them to me, this really works, so huge
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shout out to two of the graduate students, to Dante,
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who I met at the Latinix Pop Lab at UT
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a couple months ago. They introduced SUSTO to one of
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the other graduate students, Rebecca, who is actually kind of
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like my moderator for my sessions at CMS, and then
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Rebecca introduced Susto to doctor Goodwin, who then reached out
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to me. So thank you all so much, because essentially
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you your sharing of the word of Soustal, You're scheming,
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you're planning, you're plotting, whatever you want to call it.
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It worked and it provided me an amazing opportunity and
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I am so so grateful for that. So huge shout
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out to both of you, and again also to doctor
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Godwin for reaching out to me ultimately and inviting me
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to participate in CMS again. It was an amazing experience.
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I uploaded some vlogs on a Patreon for Best Goolfriends,
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So if you are a best girlfriend and you have
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not seen those, those are up there. I did like
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a like a daily vlog kind of thing while I
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was there. It was really quick three days, and on
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my final morning there, I flew out extra early to
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come back home, but I did try and recap as
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best I could my time there, because New Mexico is
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a beautiful place. It's a historic place, and it is
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truly what do they call it. I think they call
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it the City of Enchantment Albuquerque, but it was just
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it's a place full of history and folklore. Aside from that,
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so so cool to be out there and to listen
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to other people who do similar work to Sustal, or
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not even similar at all, but it's just like, I
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don't know, it was just so cool. I'm very happy
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for my time that I spent out there and grateful
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for it. Next month December. I mentioned this in a
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previous episode, but I will be taking the month of
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December off, but have no fear we will be doing
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this is the second time. Last year we did this
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and it got really positive response from a lot of you,
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so I'm doing it again this year. Whatever. I don't
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have an official name for it. It's like a creature
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feature swap monster instead of swamp monster. You get it, funny, right,
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whatever you want to call it. We are doing feed
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swaps all month, So each week of December I will
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be doing a feed swap with another show that I
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really enjoy and I think you all would really enjoy
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as well. In case you haven't heard that term before,
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feed swap, it's kind of like a promotional tactic that
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we do in podcasting. I'm pulling back the curtain for
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y'all a little bit here, but I think it's also
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a really great way to share with you all the
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things that I'm interested in and maybe that I think
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you would also like. But anyway, a feed swap is
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two podcasts send an episode to each other and we
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post it on our on our feeds. Essentially, so think
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of okay, so you've seen wife swap, right, I'm kidding,
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but yeah, essentially, it's it's what it sounds like, and yeah,
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it's just I think it's a fun opportunity to introduce
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you all to some other shows that you maybe have
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not heard of, or maybe you have, or and vice versa.
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And these shows will also be introducing me to their audiences,
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and so I'm looking forward to I think it's a
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fun kind of thing for podcasters to do. So I
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hope you all enjoyed it again this year. And I
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will also say, if you all ever think of a
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show like, oh, you know, just like the events kind
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of thing. I'm always here to hear your recommendations, so yeah,
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never be shy to kind of send those things in.
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All right, So leaning towards this week's episode, Now, this
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is our first feature episode coming out of Costa Rica.
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I don't think we've covered anything in Costa Rica before,
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so this is exciting and this is also an episode.
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Thank you again very much to Jeffrey Doyle my mam
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mam for researching and writing this episode. With that being said,
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we're going to jump into today's story, which is the
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story of Las Ruena's de Cartago. In the colonial city
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of Cartago, Costa Rica, in the year fifteen seventy seven,
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life was both simple and tumultuous. In the shadow of
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the Turrialba volcano. Gartago was a fledgling settlement, marked by
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its cobbled streets, humble homes, and an unassuming church of
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rough hewn wood. The Santiago Aposto or Saint James Apostle Parish,
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though modest, was the spiritual heart of the town. Its
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priest father, Miguel de Alvarado, was a man of command presence,
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known for his fiery sermons and iron will beneath his
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priestly robes. However, he carried a soul weighed down by
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forbidden desires and unbridled pride. Miguel's older brother, Don Esteban Dlvarrado,
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was the town's mayor. Don Esebon was a man of
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little ambition but great pomp. He was a slothful leader
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who enjoyed parading through the streets in his fine Spanish attire,
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basking in the adoration of the townsfolk. His wife, Isabella,
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was as radiant as the son, her laughter a melody
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that haunted Miguel's every thought. Miguel found every excuse to
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linger near Isabella, offering her spiritual counsel, delivering small gifts
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under the guise of parish generosity, and even visiting their
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home under the pretense of familial duty. He hung on
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to her every word, captivated by her grace, his attention
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always fell on indifferent ears. To Isabella, Miel was nothing
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more than her husband's austere younger brother and the town's priest.
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Her conversations with him were polite but distant, always centered
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on faith or her husband's affairs. Each casual dismissal, every
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subtle reminder of the boundary between them fanned the flames
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of Miguel's anger and jealousy. What began as love twisted
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into a bitter obsession, the sting of unrequited desire, eroding
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his soul and replacing devotion with envy and rage. The
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priest's emotions, though bound by his holy vows, festered into
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hatred for his brother. On New Year's Eve, the church
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bells of Santiago Aposto rang out to summon the faithful
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to mass. The humble knave overflowed with villagers eager to
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welcome the new year. In odd prayer, Father Miguel delivered
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a passionate homily, his voice thunderous as he spoke of
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repentance and the wages of sin, but his gaze often
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wandered to the mayor and his wife, seated in the
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front pew. Estheban, oblivious to the sermon's intensity, yawned and fidgeted,
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while Isabella's serene demeanor only deepened Miguel's anguish. As the
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mass ended and the congregation dispersed, Miguel lingered near the altar,
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his mind clouded with dark thoughts. Estheban, as was his custom,
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stayed behind to drink from the church's modest stores of
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sacramental wine, laughing at his own witless jokes. When the
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church had emptied, Miguel confronted his brother in the shadow
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of the flickering candlelight. Words were exchanged, sharp, venomous words
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that cut deeper than any blade. Estheban in his arrogance,
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mocked miguel strict life, and hinted at his unspoken feelings
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for Isabella. Miguel, shaking with rage, seized the knife he
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used for the altar's offerings. His hand struck quickly plunging
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the blade into his brother's chest. A step on gast,
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his eyes wide with shock as he crumbled to the
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stone floor. Miguel stood over him, his holy robes stained
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with blood, the sanctity of the church desecrated by his crime.
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Miguel worked through the night digging a grave in the churchyard.
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The soil was damp and heavy, the stars above offering
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no solace. He buried his brother beneath the earth, marking
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the spot only with his guilt. In the days that followed,
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Miguel resolved to erase the stain of his sin. He
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proposed a grand plan to the town council, a new
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stone church, one worthy of Santiago Appo Bristol, would rise
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where the modest chapel now stood. The council, eager to
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elevate Gartago's status, embraced the idea. Miguev framed the construction
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as an act of devotion, never revealing his true motivations.
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As the years passed, the new church slowly took shape.
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Blocks of stone replaced the wooden beams, and skilled artisans
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crafted intricate carvings of saints and angels. The townsfolk marveled
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at the transformation, praising Miguev for his vision and dedication,
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but the priest's soul remained tormented. Each stone lad felt
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like another sin added to his burden, the weight of
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the church pressing down on his conscience. In the stillness
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of the night, he would kneel before the unfinished altar,
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whispering prayers of repentance that never seemed to reach heaven.
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The new Santiago Apostol Church became a beacon of faith
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and pride for Cartago, but Miguel could never look upon
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it without seeing his brother's shadow. The grave beneath the
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churchyard remained undisturbed, hidden beneath layers of stone and time.
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The Santiago Apostle Church was completed in fifteen eighty five,
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a magnificent structure that stood as the pride of Cartago.
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Its towering walls and ornate carvings told a story of
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faith and resilience. Yet the shadow of sin loomed over
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the holy ground. Father Miguel de Alvarado, the architect of
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this grand vision, passed away quietly in sixteen o seven,
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his death marked by a storm that rattled the church
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windows and sent a chill through its parishioners. In the
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days following his burial, eerie tells began to circulate among
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the townsfolk. A figure cloaked in mist was said to
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wander the churchyard at night, its footsteps echoing softly against
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the stone walls. An unfortunate few in the town would
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see a more dreadful figure, the priest, draped in blood
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stained robes, his face obscured by shadow and seemingly missing altogether.
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The faithful whispered that it was Miguel, his soul bound
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to the sight of his sin, unable to ascend to heaven. Soon,
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the land itself seemed to rebel against the church. In
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sixteen thirty, a violent earthquake shook Cartago, splitting the earth
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and reducing the Santiago Apostle Church to rubble. The townspeople, undeterred,
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began to rebuild, believing that their faith would overcome any obstacle,
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but the ground would not rest. The rebuilt church crumbled
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again in sixteen fifty six, destroyed by another earthquake. The
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devastating cycle repeated in seventeen eighteen, seventeen fifty six, and
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eighteen forty one. Each time the faithful tried to restore
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the church, the earth would quake, as if rejecting their efforts.
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By nineteen ten, the most devastating earthquake yet struck Cartago,
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leaving only the walls of Santiago Apostal Church standing. The
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once proud structure now resembled a skeletal ruin, its grandeur
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a memory swallowed by time. The townspeople, weary and fearful,
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began to see the pattern as a divine sign. They
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abandoned their plans to rebuild the church, leaving the cursed
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grounds untouched. Today, the ruins of the Santiago Apostal Church
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stand as a silent reminder of the past. The broken
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walls frame an open park where children play and visitors stroll,
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