April 17, 2025
The Colonial Hotel Brownsville, TX

Is that crying? In this episode. Ayden shares a story that revolves around the haunting of Room 101 at the Colonial Hotel in Brownsville, Texas, where a couple experiences terrifying supernatural events during the Charro Days festival!
Want to hear...
Is that crying? In this episode. Ayden shares a story that revolves around the haunting of Room 101 at the Colonial Hotel in Brownsville, Texas, where a couple experiences terrifying supernatural events during the Charro Days festival!
Want to hear your story on Susto? Fill out the Letters From the Beyond form or visit SustoPodcast.com to be shared on the show!
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Happy birthday to me. Hey girl friends, it's me Adrian
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or Aiden. Either way, you are still listening to SUSTAL,
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and I am still your host. Welcome to the six six,
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six year anniversary of SUSTAL. Now, if you're new here,
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this is the podcast of paranormal folklore from Latin American cultures.
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And oh my god, we made it to six years.
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Let me tell you how fast this just came up.
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I really I don't know what to do. I you know,
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last year I had that cute little cake because I
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don't know, I feel like the increments of or the benchmarks, right,
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So six I wasn't exactly sure, like should I do something?
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Should I not? So what we decided to do, Jeff
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and I was to take it all the way back
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to where it started. And we're going to do a
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story from the Valley from the nine to five six
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flut on nine five six, because you know, that's where
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I got my exposure, my first exposure to these stories,
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that's where I grew my love of these stories. So
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just to kind of put that out there, I cannot
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tell you all how excited I am for six years.
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Oh my god, how proud I am, How grateful I
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am to every single one of you for listening, for
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being Patreon subscribers, for engaging with me online and talking
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to me and sharing your stories and letting me share
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them with the world. It means so so much to me.
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And I'm not going to get too deep into it
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because I don't want to take up so much time
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and cry on camera because this is a video episode.
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If you are a best cool friend on Patreon, but
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I gonna cry on camera or on the microphone. I
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won't do that to you all and to myself. I'll
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cry later out of happiness, though only tears of happiness,
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because wow, six years, that's that's amazing, And I just
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I don't know what else to do and what else
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to say except thank you so much. With that being said, again,
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this is a video episode. If you are a Patreon
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a bestchool friend on patreon dot com, slash Sustal podcast,
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then you have access to this video episode. And look,
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you can see my gorgeous nail polished. It matches my
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pop filter and my microphone of course. Olive in June
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and also not too many updates about the show about
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things happening, things in the future, right the future the future,
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but for now, keep your eyes out on social media.
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That's at Sustal podcast on any and all updates about
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the show, especially about the Curious Twins Psychic and Spiritfest
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twenty twenty five, which will be happening Saturday May seventeenth.
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And guess what I will be there. I'm going to
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be actually doing a presentation at five o'clock. So again,
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that's Saturday, May seventeenth, at five o'clock Curious Twins Paranormal
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at Victoria's Black swan In and it is featuring the
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one and only Annabelle. Of course from you know her,
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you love her, maybe you don't. I don't know how
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she feels about you, but you're gonna have to go
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and ask you yourself. They will have annabel and the
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Warrens Museum I believe is visiting. So you can get
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your tickets to that by of course visiting link tr
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dot e slash Sustal, or by visiting Curious Twins dot com.
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The link is in my bio of my social media's
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again or Curious Twins dot com and check out their
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Psychiconspirat Fest twenty twenty five. It's going to be very exciting.
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I'm excited to be giving my presentation and thank you
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to the Curious Twins for inviting me to participate. Now,
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with that being said, as always, if you would like
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to hear your own scary story on Sustal, you can
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do so by again visiting that link tree, or by
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visiting my website and submitting your story to me to
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be featured on a Letters from the Beyond episode. I
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also accept photos, videos, audio recording is anything you have,
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I can share it on the show or on social media.
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If you would like to support the show, you already
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know the easiest and the fastest way to do it
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is by engaging with the show wherever you are listening,
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by liking, subscribing to it, commenting on it, leaving positive
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ratings and reviews, and encouraging your girlfriends to listen to
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the show as well. I mean, we aren't here for
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six years for nothing, am I right? We've built this
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wonderful network of gulfriends, this coven, this den of demons,
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whatever you want to call it. I'm just so happy
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to have you all here, and I want to continue
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to share the magic of Sustal. With that being said,
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we're gonna go ahead and jump into today's episode, which
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is the story of Room one oh one at the
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Colonial Hotel in Brownsville, Texas. Brownsville, Texas the last weekend
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of February nineteen eighty six. Every year, as winter fades
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and spring peaks around the corner, Brownsville comes alive with
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one of its oldest and proudest traditions, Chatto Days. Founded
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in nineteen thirty eight, Chado Days is more than a festival.
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It's a vibrant celebration of culture, community, and the deep
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rooted bond between Brownsville and its sister city, Matamoros, just
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across the river. For a few magical days, the city transforms.
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Streets are lined with babel bigado, children dress in traditional
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Mexican and Texan outfits, and families come together to share music, dance,
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and heritage. You can hear the click of boots and
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heels on the pavement as Flacuorico dancers twirl in bright colors.
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The scent of roasted corn, the malih and fresh banduse
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wafts through the air. The sounds of laughter and mariachi
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echo through downtown. Nineteen eighty six was special. It was
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the first year the city introduced the Sombretro festival to
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Chado Days, adding even more heart and soul to the celebrations.
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Live music contests and food stands filled Washington Park, making
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it a new tradition that would become a staple of
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the season. That weekend, people flooded into the city from
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across the Rio Grande Valley and Northern Mexico. Motels and
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hotels were filled to capacity. The joy was contagious. Jose
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and Biatrice, a young couple in their mid twenties from Matamoros,
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had been married for a little over a year. Jose,
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quiet but curious, wore oppressed but a nupshirt and jeans,
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and had the beginnings of a mustache. He was oddly
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proud of. Was the spirited one, chatty with curly red hair,
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gold hoop earrings, and a bright laugh that Hosses said
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could fix any bad day. They'd both grown up going
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to Chado Days, but this was the first time they
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attended it together. After a full day of dancing, parades
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and laughter, they realized they had nowhere to sleep. Every
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hotel they tried was full. Every hotel but one, the
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Colonial Hotel eleven forty seven East Levee Street, Originally built
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in nineteen nineteen, it now stood as an aging, forgotten
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building on the edge of downtown. Its facade hinted at
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a past grandeur. Faded stonework framed the entrance, and above
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the doorway a long, burnt out neon sign still read Colonial,
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but now the brick exterior was weather stained, modeled with
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years of rain and neglect. Cracks ran along the edges
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of the structure, and several windows were dark or boarded shut.
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They stepped into the dimly lit lobby. A lone, tired
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clerk sat behind the desk, barely lifting his head. The
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lobby had once been grand, marble tile floors and a
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wooden staircase hinted at a time when the Colonial had
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hosted important guests. Now the chandelier was dusty, some bulbs dead,
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and the floral wallpaper was peeling at the corners. The
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clerk looked up at the young couple as they walked
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across the lobby, laughing with joy but visibly exhausted from
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the festivities. Only one room left, the clerk muttered, Room
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one O one. Josse and Beatrice didn't ask questions. They
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were tired, and the bed was all that mattered, so
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they paid and got the room key. Room one O
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one greeted them with a creak of hinges and the
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faintest smell something old, damn and just slightly sour, like
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wet wood left to rot. The lighting was dim, provided
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by a single flickering lamp on the nightstand. The wallpaper
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was discolored and bubbled in places. The bed was made,
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but the comforter had a musty weight to it. One
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of the dresser drawers was crooked, and the mirror above
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the sceinc had cracks spidering from the corner. They slipped
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into pajamas and fell into the stiff mattress without unpacking.
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Sleep came quickly, shortly after one am. Batris's eyes shot open. Jossett, stop,
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stop what your hands on my legs? That's not funny.
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Josse didn't answer, because it wasn't him. Biatri shifted, trying
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to scoot away from the cold, clammy fingers, but they followed,
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first brushing, then holding, then gripping. She whimpered and sat
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up sharply. Josey, stop it, what is it? Then he
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felt them too, hands grasping his legs, wrapping around his ankles,
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creeping higher. They both shot out of bed, staring at
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the mattress like it might rise up against them. It
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wasn't me, Piatrice, it wasn't me. They yanked back the covers,
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expecting to find something, an animal, stray, bed springs, anything,
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but there was nothing, just cold sheets and they're tossed
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around clothes. Jose checked under the bed. Piatrice opened the closet.
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The bathroom door stood open, dark and still there's nothing here,
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Piatrice said to herself. Jose responded, I'm calling the desk.
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He picked up the dusty receiver and dialed the old
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rotary phone to call the front desk. Is there another room?
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I think there's an animal or something here and we
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can't sleep, the clerk responded, still half asleep, nada. Everything's full,
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not just here, probably nowhere else is late Chado days
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brings in so many tourists they had no choice but
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to stay. So they clung to each other beneath the covers,
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trying to reassure Beatrice and himself. Hossa said, let's just
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try to sleep just until morning, wooly, first thing, and
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find somewhere else, okay, but keep the lamp on at
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three am. Jose awoke, drenched in sweat and terrified. His
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heart pounded, but not from a nightmare. It was something else,
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something in the room. The air pressed heavy on his chest.
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Every instinct told him something was wrong, but he couldn't
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figure out what. He turned his head, trying to shake
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the fog of fear from his mind. The room was dark,
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the bedside lamp somehow turned off while they slept. Jose
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was sure there was something in that room with them.
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Finally he saw it. In the corner of the room,
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just beyond the bed, there was a shadow. He blinked.
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Surely it was just passing headlights from the street outside.
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The glow from the car should have made it flicker,
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but it didn't. The shadow stayed. He told himself it
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was nothing, just a trick of the light, a figment
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of his groggy mind. But as he continued to stare
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at it, the unease gnawed at him. He couldn't shake
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the feeling that it wasn't a shadow at all, not
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like any shadow he had seen before. The headlights passed again,
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illuminating the room with a brief flash, yet the shadow
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remained unmoved. Something about it was wrong, Josey's breathing quickened.
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His eyes darted around the room, trying to find the
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source of his fear. Was at the lamp, the faint
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shifting of the curtains in the breeze, he couldn't tell.
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But as the seconds dragged on, the shadow only grew
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more defined. It stretched, it became taller. The shape began
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to shift. It was thin, too thin, almost like a person,
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but twisted. The figure seemed to climb higher and higher
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toward the ceiling, and now jose could see it clearly,
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a tall, skeletal figure, impossibly tall, stretching, elongating in ways
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that shouldn't be possible. His breath caught in his throat. Piatrice,
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wake up. She jolted upright, startled and bleary eyed. What
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what is it? Jose pointed a trembling hand to the
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corner of the room, there, right there. Don't you see
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it yet? He squinted into the darkness, blinking, See what,
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There's nothing. The corner was empty. The shadow, if it
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had ever been there, was gone. Jose's voice was strained, urgent. No,
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I swear it was there, A figure, tall like it
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was watching us. It didn't move when the headlights passed.
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I stared at it. It grew. Biatrice rubbed her face
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with both hands. You're scaring me, Jose, because it was real.
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I'm not making it up. I didn't dream it, I
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was awake, I felt, I don't, I don't know like
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it was standing there looking at us. Piatri shook her head,
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her tone sharpening. Stop just stop first, the hands, now
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this are you trying to scare me? Is this some
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joke to you? Jose, hurt and confused, said what, no,
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why would I do that? You felt the hands too, remember,
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Piatri snapped, that was different. That could have been you
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all along. But this, there's nothing there. You're just feeding
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the fear. Now you're making it worse. I'm not I
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wouldn't do that to you, Beatrice. I swear to God
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there was something in that corner. Piatrice stood up, pacing
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beside the bed, now arms crossed slightly over her chest.
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She looked around the room with frustration and said, maybe
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we shouldn't have stayed. Maybe this place is just getting
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in our heads. There must be mold in the walls. Something.
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The room fell silent, heavy, the kind of silence that
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seems to wait for something. Else to break it. Piatrice,
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calmer but still frustrated, said, Josse, do you hear that? Yeah,
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it sounds like a baby. With a sigh, Piatrice said,
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we've probably woken someone's kid with all the yelling. Josse,
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half joking, half relieved, said that explains one sound in
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this cursed place that he stopped midstep, her head tilting slightly.
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The crying grew louder, too loud. They both turned toward
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the far wall, where they thought the sound might be
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coming from. At first they thought it might be the
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room on the other side of their bathroom, but it
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wasn't muffled, It wasn't behind anything. Biatriis whispered. He said,
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that's not next door. The crying intensified, wet and echoing slightly,
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now with a strange reverberation, as though bouncing off tile.
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